Flower of Solares
Artist: Chisato Akita
Lyrics: Chisato Akita
Composition/Arrangement: Mikihiro Hamada (MIT GATHERING)
Profile
Chisato Akita made her debut in 2012 as Kamen Rider Wizard, a member of the Toei-certified girls unit, Kamen Rider Girls. She performed numerous songs for the Kamen Rider franchise. Since 2019, she has expanded her career as a solo artist and has released three mini-albums and four digital-exclusive singles.
As a lyricist and performer, Chisato captivates her audiences with her outstanding vocals and graceful presence on stage. In addition to her music career, she has recently appeared in various theatrical productions, where her standout singing leaves a lasting impression. She has also performed as a voice actress in games and audio dramas. Chisato Akita keeps soaring to new heights as her journey with Kamen Rider Girls continues.
Chisato Akita made her debut in 2012 as Kamen Rider Wizard, a member of the Toei-certified girls unit, Kamen Rider Girls. She performed numerous songs for the Kamen Rider franchise. Since 2019, she has expanded her career as a solo artist and has released three mini-albums and four digital-exclusive singles.
As a lyricist and performer, Chisato captivates her audiences with her outstanding vocals and graceful presence on stage. In addition to her music career, she has recently appeared in various theatrical productions, where her standout singing leaves a lasting impression. She has also performed as a voice actress in games and audio dramas. Chisato Akita keeps soaring to new heights as her journey with Kamen Rider Girls continues.
Comment
I've always loved otome games—honestly, it's no exaggeration to say they've shaped my view on romance. That's why I'm incredibly happy to be part of this project.
I had the honor to sing and write the lyrics of the game's songs. I approached them from the heroine Cecilia's perspective. I imagined the world she sees and the emotions she feels, and expressed that through the music. I truly hope you'll immerse yourself in the world of Temirana as the heroine, listen to the songs, and enjoy the game to the fullest!
I was in charge of composing and arranging the opening theme. I aimed to create a sense of excitement that makes you wonder what kind of story is about to begin. By combining Celtic instruments, which have exotic charm, with pop elements, I worked to help players experience the game's world.
Since this is the opening, I wanted the song to feel lively and bouncy, so I brought the rhythm and percussion more to the front. I also wanted to capture the image of a "gentle, refreshing breeze" throughout the piece, and I hope that feeling comes through. I hope many people will enjoy the world of Temirana along with its music!
Light of Lunamia
Artist: Chisato Akita
Lyrics: Chisato Akita
Composition/Arrangement: Masahiro Hariu (MIT GATHERING)
For the ending theme song, I approached the composition thinking about Cecilia reflecting on the hardships she overcame, the conclusion that awaited, and everything she experienced throughout the story. With that in mind, I aimed for a tone that was neither too bright nor too dark.
After much trial and error—especially with the intro and chorus—the song's identity, Light of Lunamia, was created. To make it fitting for the ending, I built the song on an acoustic instrumental foundation, blending in elements like a wistful electric guitar and pad synthesizers to add a gentle, emotional touch. They might not stand out, but even the small details were carefully crafted. I would be delighted if you could listen closely to the music as you reach the story's conclusion.
Profile
TrioDesign has composed much of the background music for Ichicolumn titles, including the Hanayaka Nari, Waga Ichizoku series. They produce a wide range of genres with a unique style tailored to the tone of each title.
◆ Past BGM Titles:
Hanayaka Nari, Waga Ichizoku series
Barani Kakusareshi Verite
Tengai ni Mau, Iki na Hana
Meiji Katsugeki Haikara Ryuseigumi: Seibai Shimasho, Yonaoshi Kagyo
...and many others.
Comment
When we first laid eyes on the concept, we were amazed by the intricate and profound setting. It felt like an entire mythology. To reflect that grand worldbuilding, we aimed to create music that wasn't tied to any specific culture or musical style.
Production Backstory
In the world of Temirana, minerals called lightstones are woven into people's daily lives. That made us wonder: what would it sound like if we used lightstones as instruments? Using physical modeling synthesizers, we created sounds that we imagined lightstone instruments—flutes, percussion, strings—might produce, and incorporated them in some tracks as if they were new kinds of traditional instruments.
TrioDesign has composed much of the background music for Ichicolumn titles, including the Hanayaka Nari, Waga Ichizoku series. They produce a wide range of genres with a unique style tailored to the tone of each title.
◆ Past BGM Titles:
Hanayaka Nari, Waga Ichizoku series
Barani Kakusareshi Verite
Tengai ni Mau, Iki na Hana
Meiji Katsugeki Haikara Ryuseigumi: Seibai Shimasho, Yonaoshi Kagyo
...and many others.
Comment
When we first laid eyes on the concept, we were amazed by the intricate and profound setting. It felt like an entire mythology. To reflect that grand worldbuilding, we aimed to create music that wasn't tied to any specific culture or musical style.
Production Backstory
In the world of Temirana, minerals called lightstones are woven into people's daily lives. That made us wonder: what would it sound like if we used lightstones as instruments? Using physical modeling synthesizers, we created sounds that we imagined lightstone instruments—flutes, percussion, strings—might produce, and incorporated them in some tracks as if they were new kinds of traditional instruments.